Archive for ArtWork

Blue Spiral

Blue Spiral, View 2. Fired paper clay. Two pieces.

Two pieces can be placed in different configurations.
Above: 7″t x 18″w x 8″d
Fired paper clay, refired with glaze, stain, love letter inscribed inside. At right, 11″t x 12″w x 9″d.


Gallimaufry (medley), 13" t x 30" wide x 13" d, fired paper clay with glaze
Gallimaufry (medley), 13" t x 30" wide x 13" d, other side showing finish of clay, engobe, and stains
Gallimaufry is a word for medley.
13″ t x 30″ wide x 13″ d
fired paper clay with glaze on one side, stains and slips on the other side


Creating urns to hold ashes in memory of beloved family or friends, or pets has been a privilege. These urns are also lovely decorative jars. The unfired urn is intended to be able to place ashes in nature where the jar and the ashes will gradually return to the earth.

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Older Work

Dancing House

Dancing House, fired paper clay, glazes, underglazes, mixed media. 19"t x 12"w x 9"d
Dancing House, View 1

Fired paper clay, glazes, underglazes, mixed media.

19″t x 12″w x 9″d

Four feet stand on a mushroom shaped base. Colors are red, orange, purple, gray, yellow, maroon. Part of the “house” series of the 1990’s and 2000’s.

I have worked on the theme of the house off and on since 1994 when my husband and I undertook to build our own house.  These pieces communicate on many levels.  Everyone loves to explore other houses to learn more about those who live there, and this sense of finding a hidden story animates these sculptures.  I feel the house image is a metaphor for the inner self and aspects of ourselves we discover through life events. 

The clay sculptures in this series, built with slab, coil and pinched methods, are intensely colored and varied in size and shape.   I fire each piece several times at a variety of temperatures and use many methods to achieve the surfaces, which vary from bright to subtle colors; rich buttery surfaces to dry-velvety or bubbly, cracked, and cratered effects.  Considering these are images of buildings, they show unusual movement:  They sway, dance, rock on their foundations, fly, sail, ride on the backs of animals or in a death cart, and have stairways to the roof.    

Dancing House, fired paper clay, glazes, underglazes, mixed media. 19"t x 12"w x 9"d


Fired paper clay ceramic sculpture, fabric

Fired paper clay sculpture. Lizard glazes. Fabric.

8″h x 18″w x 9″d

Black/White, fired paperclay sculpture with fabric.
Black/White, 8″h x 18″w x 9″d

Cholla Bowl

This sculpture is fun because it can be placed in different positions for variety. The holes were initially inspired by the cholla plant. The piece was glaze fired initially. I liked the texture of the lichen glaze especially on the bottom (lower image). Then, I decided to push the color into a more organic direction, so I put a very thin layer of terra sigillata and fume fired the piece. Got some nice maroon fuming, while retaining the red/orange underglaze in the interior.

8″h x 11″w x 9″d

Paper clay, multi-fired, glazed and saggar fired


Spiral.  5”h x 8.5”w x 5”d Saggar fired paper clay by Judy Nelson-Moore.
5”h x 8.5”w x 5”d
Saggar fired paper clay

6.5″t x 14″w x 3″d
Saggar fired paper clay

(click image to see larger view)

Lichen Pods

Lichen Pods Sculpture
6.5”t x 14”w x 3”d
Saggar fired paper clay

6.5″t x 14″w x 3″d
Paper clay, lichen glaze fired to cone 06, then saggar fired

Small pocket closed forms with sharp clay points and colorful crusty surface. These small pieces are a pair that go together. I call them “pods” because they resemble organic seed pods. The lichen glaze imparts cracks and crustiness while the saggar firing brings organic colors into the piece.

Wise Men Sailing…and the dish ran away with the spoon

Wise Men Sailing, and the Cup Ran Away with the Spoon.  Sculpture by Judy Nelson-Moore

32″h x 18″w x 14″d

Multiple pieces fired with different techniques and different temperatures (glazed, underglazes, saggar fired), glued together, stick and paper sail.

I made this piece using a technique I am thinking of calling “ceramic collage.”  This means taking disparate elements, fired in different ways, and then putting them together post-firing into one sculpture.

When I tried to take a photograph of this piece, it was difficult to portray it from one view.  The results of one of the single shots are shown at left.  It doesn’t really give you an idea of the totality of the piece.

So, then I decided to try and use the panorama software on the ipad.  Interesting…if you turn around and take the pictures around you, you get the panorama.  If you walk around a fixed object and take pictures, you get kind of a composite of the piece.  While it is kind of unclear, it does give an interesting feeling of the piece…see the image below.

So, the genesis of this piece was an NPR segment on the economy in Greece talking about the effects of their economic austerity program on the lives of the people.  In particular, they interviewed a professional woman (chemist) who was working for a company that contracted with the government…and they had stopped paying her, but she continued to work.  Thinking about that and my own retirement plans sent crashing by the economy, I was thinking about the “wise” men in the financial world whose “brilliant” ideas, or maybe more likely whose personal greed, led us ordinary people into these circumstances.  Three figures sailing on a fantasy boat, zombie masks of their faces, monster face on the boat, all at the top of a pyramid…this is my comment in sculpture on these thoughts.

Wise Men Sailing…and the dish ran away with the spoon